Tag Archives: Movement

Neijia, Xing Yi

Jue 决. Bursting/Exploding

The energy of bursting or exploding with your strike is always an exciting feeling. It makes you feel alive, powerful. Its one of the easiest jings to discuss but the intricacies of this energy is what makes it truly special.

What are these subtleties of this Jing? It involves the funneled connection of all parts working together to maximize the potential power. Like water breaking through the dam, its power is channeled through a specific point, exploding through and past in a gush of raw power. Bursting comes from inside. It starts at the Dan tian. What does that mean though? It’s the center of you equilibrium, its where all movement should start and end. Without a stable platform the energy can be easily dispersed or unconnected. From your center you can move energy anywhere and if you practice you can move this energy anywhere very quickly.

Yet to move quickly you need to bring your legs and root with you. They will follow your center, pushing off then re-rooting where you intend to go. It issue a force that explodes one must have the concept of due ba li within all parts of their body. At the exact moment the strike is delivered a slight sinking energy should be issued to root and allow the equal and opposite energy to extend out their arm or leg. Can when issue energy without this sink? Sure but you will find the power just not quite as strong (but depending on the fighter could still be extremely strong), a piece missing from the puzzle so to speak.

One also must be lifting upward or Ti (or Chui-suspending, many descriptions for it). Neither leaning in either direction (or any of the 6 honestly) and center maintained. You must “hang around your bones” and be stable. If one leans its creates a slight energy draw towards that direction. Is that necessarily a bad thing? No not necessarily, if one leans forward you will direct the energy that way but you may find yourself using more Li (strength) than Jing (power) as it will be slightly slower, not as sharp. When you center is off your power can be disrupted and dispersed more easily. You will not be as quick in any direction, dedicated but limited in a way.

To truly burst your energy your joints must be connected and coordinated. Starting at the foot and going up the leg, twisting through the waist, up the back and through the shoulder to arm to fist takes practice. You must relax, allowing the pulse to freely move through the body and not bind up at some joint. Many people talk of 9 joints or 5 joints or 3 bows or 5 bows: these terms all while independent of eachother hold many similar concepts together, most importantly is the coordination of the body to shoot the power out like an arrow. It must have Ting, or straightness, your joints compact together and explode together.

The energy must come through the shoulder and arm through the fist to a point beyond (Same for a kick as well). It must feel like your sending your strike to penetrate through your target! Use your intent and focus. Yi or intent is highly emphasized in internal martial arts but is discussed in any fighting realm. Whether you figure it imaginary or something greater, the idea of striking through your target adds effects. It causes you to slightly lengthen, to load and unload slightly greater, to move slightly faster and more coordinated. All these effects, while potentially small, can add up and create effects well beyond an unfocused strike.

Here is the other catch on Yi and intent. Your mind most be totally focused on that event. It must brain all its energy into it and leave nothing behind. An amazingly focused mind brings that much more coordination and power. Like an unfocused workout, you just don’t move as well, lift as much, fight as hard. It’s a catalyst to greater effect and truly needed in a fight. The mind must obviously be ready to move into the next event and not be stagnant but it MUST be focused. Note: some people will talk lofty ideals of no mind and connection to nothingness, these are very viable concepts in internal martial arts but are not something typical applied to this. This leads into much deeper debates on ideals that are not necessarily wrong but will bleed over into other concepts.

Internal arts looks to maximize the use of the mind and body, this includes how it strikes. It looks to harmonize the strong and soft, the energy coming in and going out, it looks to move with coordination, it looks to move with power and energy. Any small piece out of alignment or not focused in that moment take away from the whole. You can do 10,000 punches or kicks everyday but without focus, intent, consistency in effort, your power will be limited. Your power will not develop over time as effectively and it will not truly explode through at a level that would be discussed for years to come!

Push Hands (Tui Shou), Xing Yi

The energy of Shù (束)

Golden Chicken Frames Upward from Xing Yi Shi Er Hong Chui by Master Pei Xi Rong, translated by Joseph Crandall @ http:\\smilingtiger.net.

Shù or binding is a useful technique in martial arts. It incorporates connecting, accepting, leading, and restraining. It is considered one of the 5 yang energies in Xing Yi (and Xin Yi Liu He). Its also seen throughout other internal/external martial arts and is used for defensive purposes.

Well great Sifu I appreciate that info but so what? Why would we not want to constantly be leading into emptiness and using their own energy against them melding Yin and Yang together. Well there are just realities in the fighting world. Transformational energy is an extremely difficult task and while one of the most important tricks in your bag it should not be your only trick. Binding can create an opponent to lose their advantage and get them out of “their game.” It allows you to obtain an your own superior position and follow up with a strike they may not be prepared for. This example can be expertly demonstrated through the chicken form Rooster blocks up to Rooster flicks its feathers. Once you block you grab an opponents wrist and sink down. *Note your arm can slightly wraps around your opponents and your whole body must sink in a fast, firm, and stable manner. This will disrupt the opponent’s energy and momentum. This essentially “binds” them from attacking again at that moment. FYI this can then be followed up with Rooster flicks its feathers by issuing Zhǎn (展) energy and exploding up.

The importance of binding in internal martial arts is in the game-changing effect of disrupting your opponent and providing an advantage to yourself. The energy must be quick, strong, and rooted. The whole body must be incorporated. Shù primarily works in the linear up and down pathways (yet there are always circles within the linear). Connecting to the opponent is also important. Whether delivering a strike or intercepting one a fundamental principle in any IMA system is connecting and understanding their energy. Then one can use many different principles to bind an opponent. One can lead an opponent to emptiness or one can pluck and jerk an opponent. Another key is the move must get your opponent close to you. Why close? Because your are contracting your energy. Internally binding shrinks and gathers. You must put the energy into the joints and store it. This will enable an effective binding as you become strong like a tree or steel. Joints must be aligned, the body must be upright, the dan tian sunken, and the root must be firm. If executed correctly it cannot be broken or moved.

Now this energy must be practiced. Santi training or any gathering practice is beneficial to this type of training. Actually conducting standing training that exercises the muscles in this position is most beneficial though. It will be tense at first and most martial artists will only be able to hold positions like this for short periods. You will train low positions with arms close to your body. The energy will be focuses inward and sunken. Overtime the tension will ease as muscles learn to “relax” in this flexed position. Its also key to keep the joints properly aligned and “stacked” on each other. Your three sections will be connected and combined. Without the properly alignment and connection the muscles will not have a frame to relax into and injuries can occur. You will also not maximize the capability of this position to make it unbreakable and truly strong. Now its also key to remember to practice releasing and expansion methods or your body will become too “tight” and will not be able to issue energy properly. This can be saved for a later lesson though 😉

Neijia, Xing Yi

What is Guo 裹?

Master Liu demonstrating Guo Zi Quan from his article, “Xing Yi Quan Ba Zi Gong,” Wu Long Magazine, 1984.3 #30, translated by Joseph Crandall, Smiling Tiger Martial Arts.

The importance of being having whole body power in Internal Martial Arts cannot be understated. To have Fa Li (power) one must have Guo 裹. Most IMA individuals understand Guo in terms of wrapping Jin. It’s a horizontal energy (oversimplified term, all directions are present to ensure centeredness) used for defense and offense. It takes an opponents incoming energy and wraps around it, cutting it off or better yet absorbing it to re-issue.

Great Sifu you defined Guo, so what? Why is it important?

Guo can be fundamental to absorbing and issuing. All fighting arts look to “suck” in their opponent and take advantage of the position. Blocking is easy but true masters in their chosen art can off-balance their opponent, using their opponent’s strikes and aggressiveness to their advantage. It is circular, coiling, redirecting. You must connect with your opponent, overturn and coil around it, lead it into emptiness. It allows you to gain the upper hand or superior position for the attack. It allows you to gather energy in your joints to release quick and sharply like an arrow.

Some masters will talk of Guo at a deeper level. They will associate Guo with connection and togetherness. The wrapping methods of Guo require the practitioner to connect the Sānjié (三節) or three sections through coordinated movement. The wrapping methods need to be coordinated in the legs to root and absorb, the waist to maintain centeredness and twist as the arms to overturn and accept, and the head to be upright to allow for the energy to sink and gather. When all of this is coordinated it will maximize the effectiveness of your Jin. Now as you get older this Jin will be harder to accomplish as joints and aches will get in the way of coordination. This is one reason to remain soft and supple; to ensure things can connect smoothly and work in harmony. If you do not practice consistently and work towards song/suppleness you will become “scattered.” This will show in your wushu and is something you want to delay in old age as long as possible. Discipline, consistency, hard work — the mantra of the wise, the mantra of wushu experts who can obtain and maintain Guo well into their old age!

Neijia

 Shēnfǎ (身法) 

Sun Lu Tang demonstrating San Pan Liu Di from Xing Yi. His ShenFa was exquisite; expertly demonstrating the 8 characteristics and the particular methods for each move. In this move he demonstrates Cheng (撑劲) Jin (pillar energy)

Shēnfǎ (身法)  or body method is truly important in wushu, especially internal martial arts.  To capture the essence, the ideals and principles of the art is the goal.  What has been laid out to us by previous masters of old is shown through the movements and explanations of the exercises and forms.  To capture their Shēnfǎ  gives a student a chance (yes a chance, not guaranteed!)  towards true Gong Fu in that martial art.  To move without coordinated effort, inside and out, will most likely meet sub-standard ends.  To reflect what previous generations built upon is the start towards mastery in your particular art.  Are your stances too high? Then work on getting lower, building your base.  Are you moving slow, scattered?  Work on connecting your body, moving slowing at first but working towards swift coordinated movements.  There is a reason for all this!  Strong, agile, and flexible legs allow for greater Gong Fu!  So do coordinated, swift, and agile movements! The masters of old understood this and are reasons there are amazing stories about them (whether embellished or not, there is still a reason they have stories).  They worked hard to achieve great results.  To attain their results one must follow in their footsteps and capture their Shēnfǎ !  Without truly understanding the moves, their methods, their applications one does not get the totality of the art.  Will their art be hollow?  Possibly not, as they may still attain some value whether it be health, relaxation, balance, strength, self-defense etc… but they will not gain the maximum benefit, the deeper treasures within the art.  This treasure includes capturing the  Shēnfǎ  of the art, to work towards mastering it and all the benefits it contains.

Now can a person learn more than one art at the same time?  Yes why not!  Traditionally students learned one at a time.  Why?  Because that’s how you master something and that mastery often provided security for their families (financially and physically) and abundant health too boot!  Also then they were  able to more quickly learn other wushu styles and exercises.  Their body was attuned to learning and had method already.  It was connected and agile.  It was strong and healthy.  All of these reasons allowed someone to quickly ascertain another style.  What are commonalities among internal arts?  Qi/Lo, Kai/He, Shou, Song, etc..  These can translate to the others and make it easier to learn the Shēnfǎ .  All of that being said if you have a great instructor and you work diligently in each art;  you can grasp each aspect.  Its more difficult as it requires constant effort to not leak into the other art but it is possible!

Now what if your instructor says all the forms and stuff is BS and they have a few moves that grasp at certain aspects of a martial art?  Its their prerogative.  Several great masters would learn some style completely and grasp moves from other styles to create their own Shēnfǎ .  If their Gong Fu was truly special (masters like Yang Lu Chan, Sun Lu Tang, Fu Zhen Song come to mind) it would continue for generations.  To say they have mastered the  Shēnfǎ  of that style is a misnomer though.  They may have taken pieces and garnered some skill but  may not reflect the style they got the movement from.  At this point their martial art becomes their own, their own Pai (fist) with its own unique  Shēnfǎ .  At this point it would be up to them to spread their art/style, hopefully garnering enough skill and ability to continue for generations to come.

In the end your journey is your own.  Do you want a more traditional path or something that is close by which might not be traditional but keeps you active and healthy (and possibly has great sel-defense qualities ;).  Its your journey and you enjoy it.  I will continue down my traditional path, looking to master the styles I choose and ensure I properly display each  Shēnfǎ  successfully and tactfully.  To gain a deeper understanding of each art, to understand where they converge and where they diverge.  To take these aspects and apply them as I see fit, either for health or self-defense.

6 Harmonies, Liu He Ba Fa

Liu He Ba Fa 6 Harmonies: 6th Harmony– Combine Your Movement (Action) and the Void (Emptiness)

The 6th Harmony is:  Combine Movement (Action) and Emptiness (Void)

dong he yu kong 动合于空

The final harmony in Liu He Ba Fa.  Also the most abstract and esoteric.  Now that your shen reaches every fiber and hair of your body, expand beyond it.  Work to feel your surroundings, to become aware on a different level.  You will look as calm, poised, you will radiate energy but every movement you make, feeling you have, will be subconsciously occurring based on the environment around you.  You will not have to think it, you will just do.  The expansion you experience will be great, possibly even frightening.  You will be like a baby again, in a whole new world of details and feelings but once you learn to control it, you can become part of a greater whole.

This harmony starts when a person grows around them as they do the form.  The energy radiates around the person and expands their movements into the surrounding environment.  They may be small in stature but they exponentially grow as they conduct the form.  A person watching them will “feel” them in a way they cannot explain and wonder how the person got so “big.”

You must remember this form is a means to the end.  Once you have reached this level in the form it must be spread and developed in all facets of life.   There are also levels within levels of this harmony; expansion, consistency, then concealment — i.e. you must contain everything yet appear empty working towards a true wuji state.

Few ever reach this level.  You must find the right instructor to lead you through the harmonies ontop of the daily dedication and resolve.  It becomes a way of life as all facets drive towards this goal: sleep, nutrition, activity, recovery…everything.  The form was the beginning– the gateway drug to a greater path.  You will find peace, harmony, health, and happiness that spreads to everything but allowing that to happen is up to you and your mindset.  The form will give you health and strength but the harmonies will give you true fulfillment and happiness in life, a goal worthy of chasing.