Tag Archives: Internal Energy

Neijia, Xing Yi

Jue 决. Bursting/Exploding

The energy of bursting or exploding with your strike is always an exciting feeling. It makes you feel alive, powerful. Its one of the easiest jings to discuss but the intricacies of this energy is what makes it truly special.

What are these subtleties of this Jing? It involves the funneled connection of all parts working together to maximize the potential power. Like water breaking through the dam, its power is channeled through a specific point, exploding through and past in a gush of raw power. Bursting comes from inside. It starts at the Dan tian. What does that mean though? It’s the center of you equilibrium, its where all movement should start and end. Without a stable platform the energy can be easily dispersed or unconnected. From your center you can move energy anywhere and if you practice you can move this energy anywhere very quickly.

Yet to move quickly you need to bring your legs and root with you. They will follow your center, pushing off then re-rooting where you intend to go. It issue a force that explodes one must have the concept of due ba li within all parts of their body. At the exact moment the strike is delivered a slight sinking energy should be issued to root and allow the equal and opposite energy to extend out their arm or leg. Can when issue energy without this sink? Sure but you will find the power just not quite as strong (but depending on the fighter could still be extremely strong), a piece missing from the puzzle so to speak.

One also must be lifting upward or Ti (or Chui-suspending, many descriptions for it). Neither leaning in either direction (or any of the 6 honestly) and center maintained. You must “hang around your bones” and be stable. If one leans its creates a slight energy draw towards that direction. Is that necessarily a bad thing? No not necessarily, if one leans forward you will direct the energy that way but you may find yourself using more Li (strength) than Jing (power) as it will be slightly slower, not as sharp. When you center is off your power can be disrupted and dispersed more easily. You will not be as quick in any direction, dedicated but limited in a way.

To truly burst your energy your joints must be connected and coordinated. Starting at the foot and going up the leg, twisting through the waist, up the back and through the shoulder to arm to fist takes practice. You must relax, allowing the pulse to freely move through the body and not bind up at some joint. Many people talk of 9 joints or 5 joints or 3 bows or 5 bows: these terms all while independent of eachother hold many similar concepts together, most importantly is the coordination of the body to shoot the power out like an arrow. It must have Ting, or straightness, your joints compact together and explode together.

The energy must come through the shoulder and arm through the fist to a point beyond (Same for a kick as well). It must feel like your sending your strike to penetrate through your target! Use your intent and focus. Yi or intent is highly emphasized in internal martial arts but is discussed in any fighting realm. Whether you figure it imaginary or something greater, the idea of striking through your target adds effects. It causes you to slightly lengthen, to load and unload slightly greater, to move slightly faster and more coordinated. All these effects, while potentially small, can add up and create effects well beyond an unfocused strike.

Here is the other catch on Yi and intent. Your mind most be totally focused on that event. It must brain all its energy into it and leave nothing behind. An amazingly focused mind brings that much more coordination and power. Like an unfocused workout, you just don’t move as well, lift as much, fight as hard. It’s a catalyst to greater effect and truly needed in a fight. The mind must obviously be ready to move into the next event and not be stagnant but it MUST be focused. Note: some people will talk lofty ideals of no mind and connection to nothingness, these are very viable concepts in internal martial arts but are not something typical applied to this. This leads into much deeper debates on ideals that are not necessarily wrong but will bleed over into other concepts.

Internal arts looks to maximize the use of the mind and body, this includes how it strikes. It looks to harmonize the strong and soft, the energy coming in and going out, it looks to move with coordination, it looks to move with power and energy. Any small piece out of alignment or not focused in that moment take away from the whole. You can do 10,000 punches or kicks everyday but without focus, intent, consistency in effort, your power will be limited. Your power will not develop over time as effectively and it will not truly explode through at a level that would be discussed for years to come!

Push Hands (Tui Shou), Xing Yi

The energy of Shù (束)

Golden Chicken Frames Upward from Xing Yi Shi Er Hong Chui by Master Pei Xi Rong, translated by Joseph Crandall @ http:\\smilingtiger.net.

Shù or binding is a useful technique in martial arts. It incorporates connecting, accepting, leading, and restraining. It is considered one of the 5 yang energies in Xing Yi (and Xin Yi Liu He). Its also seen throughout other internal/external martial arts and is used for defensive purposes.

Well great Sifu I appreciate that info but so what? Why would we not want to constantly be leading into emptiness and using their own energy against them melding Yin and Yang together. Well there are just realities in the fighting world. Transformational energy is an extremely difficult task and while one of the most important tricks in your bag it should not be your only trick. Binding can create an opponent to lose their advantage and get them out of “their game.” It allows you to obtain an your own superior position and follow up with a strike they may not be prepared for. This example can be expertly demonstrated through the chicken form Rooster blocks up to Rooster flicks its feathers. Once you block you grab an opponents wrist and sink down. *Note your arm can slightly wraps around your opponents and your whole body must sink in a fast, firm, and stable manner. This will disrupt the opponent’s energy and momentum. This essentially “binds” them from attacking again at that moment. FYI this can then be followed up with Rooster flicks its feathers by issuing Zhǎn (展) energy and exploding up.

The importance of binding in internal martial arts is in the game-changing effect of disrupting your opponent and providing an advantage to yourself. The energy must be quick, strong, and rooted. The whole body must be incorporated. Shù primarily works in the linear up and down pathways (yet there are always circles within the linear). Connecting to the opponent is also important. Whether delivering a strike or intercepting one a fundamental principle in any IMA system is connecting and understanding their energy. Then one can use many different principles to bind an opponent. One can lead an opponent to emptiness or one can pluck and jerk an opponent. Another key is the move must get your opponent close to you. Why close? Because your are contracting your energy. Internally binding shrinks and gathers. You must put the energy into the joints and store it. This will enable an effective binding as you become strong like a tree or steel. Joints must be aligned, the body must be upright, the dan tian sunken, and the root must be firm. If executed correctly it cannot be broken or moved.

Now this energy must be practiced. Santi training or any gathering practice is beneficial to this type of training. Actually conducting standing training that exercises the muscles in this position is most beneficial though. It will be tense at first and most martial artists will only be able to hold positions like this for short periods. You will train low positions with arms close to your body. The energy will be focuses inward and sunken. Overtime the tension will ease as muscles learn to “relax” in this flexed position. Its also key to keep the joints properly aligned and “stacked” on each other. Your three sections will be connected and combined. Without the properly alignment and connection the muscles will not have a frame to relax into and injuries can occur. You will also not maximize the capability of this position to make it unbreakable and truly strong. Now its also key to remember to practice releasing and expansion methods or your body will become too “tight” and will not be able to issue energy properly. This can be saved for a later lesson though 😉

Neijia, Push Hands (Tui Shou)

Hua Jin (化動) – Neutralize/Transform Energy

Sifu Hart demonstrating Beng Quan, once Hua energy is understood it can be expressed even in solo practice.

The final steps of internal martial arts fighting involves neutralizing energy and transforming it.

Neutralizing energy can be done rather simply; a person can jam, block, dodge, push another’s strike or body to neutralize their energy. These methods are often seen in external arts and other combat sports that need to apply defense quickly yet effectively. Internal Martial Arts emphasizes a neutralization method that leads the energy into emptiness to gain advantage and potentially transform it in some fashion. The concepts are circles are extremely important here along with a connected and relaxed body. A curve allows one to redirect energy and gain the upper hand. Coiling and accepting energy can also allow for one to negate a person’s strike while storing up a great amount of that person’s “energy” or momentum. You can block their strike in any direction and the greater your “entire” body receives that strike the better you can nullify it. Maybe you block down and back up some. Or perhaps you coil their strike to the side while stepping at an angle. There are numerous ways to neutralize energy but masters do it with understanding, precision, grace, and calmness.

You must accept the energy into your joints and the coiling parts of your body, compress them (but don’t overcompress — always maintain your root and center), keep them relaxed (yet connected) as possible. Song – Calmness and relaxation— is truly key to this point. However, the ideal of song is often lost in translation. If a person attacks you with a ferocious strike you are not going to be able to be a wet noodle and handle their energy. You will need structure, connection, and quickness to overcome and redirect it. The idea of song is to be as relaxed as possible to handle that energy. You will will still have energy, you may even tend to be on the hard side (Yin and yang are always together and mutual, you just must be more “yin” than the other person at that moment of accepting the strike to be able to redirect it). But if you are more relaxed than your opponent in that moment (even a hair) you will be quicker to react and overcome and thus gain the advantage (all other factors being equal). Again the more you can relax and find that sweet point the better.

Once you neutralize a strike what now? Attack? Continue to defend? This is where the concept of transforming comes in. There are numerous ways to transform energy; perhaps it is off-balance them, strike them, throw them or trap them, again applications are numerous and ideals will tend towards your strengths in the art. Transformational energy does require the use of your whole body connection to be effective. You need that “spring” throughout your body to “coil” and “uncoil.” To have a powerful strike or throw the body needs to be able to work together and use every inch of your body to produce a powerful effect.

In the end every fighting art works towards these ideals in some form or fashion. They neutralize attacks and react, putting themselves in ideal positions to attack with maximum power. Internal arts expounds and pontificates on this method. You will need to coordinate your movements and maintain proper structure throughout to maximize effect. Your whole body must develop a quick and sharp “Jin” energy, compressing and releasing effortlessly and timely. You must develop your intuition to be in the “right place” at the “right time.” You must be able to move and keep these characteristics in mind (as well as all the ones previously discussed in the blog). You train this in push hands and continue these ideals in fighting. Most internal fighters will want to connect through a block or touch of some fashion and continue that connection until the fight is over. The action is continuous, always countering and attacking: neutralizing, storing, transforming, releasing. At high levels this looks fluid and effortless. This level of fighting is truly hard to get to, its hyper-functional and requires a constant/consistent work against many different styles and opponents so you learn how to act and react to each style. Commonalities will exist but unique characteristics from each style will need to be explored against your own to learn the counters and gauge what energies are required and your effectiveness. Enjoy the grind, welcome the climb and work towards your own mastery.

Neijia, Push Hands (Tui Shou)

Zhan Nian (沾黏) Jin

Sifu Hart discussing the finer points of Tui Shou.

Sticking/Adhering (沾黏) Jin is a fundamental jin within IMA.  From this Jin you can can dive deeper into listening, understanding, deflecting, and redirecting anothers Li (strength).  Sticking jin is tricky as it requires body parts to touch.  Usually IMA practitioners start with arms but once a working knowledge is understood any body part can be used.  The goal is to remain in contact of some sort to be able to use your other jins appropriately.  Your opponent will move and you will move with him, he will feel like he cannot “shake” you .  He attacks, you retreat… he retreats, you stay with him (attacking as necessary).  They are fast, you are fast… they are slow, you are slow.  This is why you must learn to listen, understand, and follow.  If you do not learn these jins, sticking energy becomes difficult if not impossible to maintain.  Yet without sticking jin these other jins become useless as well, they are all mutually beneficial and coordinate with eachother.

Another goal is to become as light as possible–Qing ( 轻) Jin.  Why light?  Being empty and light allows for you to “feel” their energy and to be able to react quickly/agilely.  Being heavy and strong makes it difficult to react quickly; not impossible but difficult and not the correct method to higher levels.  It also gives plenty of energy to the other person to “feel” and work with.  Among other things the greats of the past hollowed their chest,  rounded their backs, relaxed their shoulders and made their upper body empty (in reality this is a gross over generalization, once they mastered their body they were able to appear empty but be full and vice versa – their conceal and release became truly marvelous).  They were able to react instantly to situations and seamlessly follow, neutralize, and redirect their opponent.  Why?  Because they had mastered their sticking ability!

Most people train this method through push hands (Tui Shou).  This is a great method and preferred among many internalists.  But there are steps to this.  One must first work in a rooted position and then move to moving step (my method is restricted step then to freestyle).  It’s a great non-threatening environment to hone sticking skills and work on true lightness ability with those skills.  However to be truly great with this skill one needs to work into compliant and non-compliant sparring.  Learning to stick at a point of contact can be tricky when a punch or kick is executed (and even trickier when that punch and kick returns back to its owner).  One must learn to truly move with an opponent, blocking or evading a strike then returning with it slightly as you “attach” yourself to your opponent; with the true key being “staying” attached.  There will be several subtle movements and understanding fight distance, spacing, and angles truly become important.  If you can master sticking in a fighting environment you are your way to truly becoming mysterious.

In the end the higher level would be the touch becomes virtually non-existent.  You would stick to your opponent without them feeling anything from you.  You become like the air around them, incapable of identifying your presence but constantly feeling theirs.  Their will becomes  obvious while yours remains mysterious.   They become truly frustrated because of their inability to “touch” you and apply their yi (intent) and li (strength). It’s a lofty goal but one worth striving for.

Neijia

Duì Bá Lì (对拔力)

Duì bá lì, translated as pulling force, is one principle that applies to all Martial Arts, but is especially important within Internal Martial Arts.  This force can be better understood as equal and opposite force.    Newton’s third law is a powerful player in martial arts.  To exert a force one must also exert an equal force in the opposite direction.  One cannot escape physics.

Now  duì bá lì can be described in a few different scenarios:

  1. It’s the equal and opposite force when striking
  2. It’s the concept of the left side accepting energy and the equal and opposite force exerting out the right side (or vice versa)

The first example is the easiest to understand.  Lets take Beng Quan from Xing Yi for example.  When a person executes the strike the fist comes forward but at the same time the should blade goes back.  This creates a dynamic tension and if executed in a quick and coordinated manner will allow you to express a sharp energy (Jin) at the opponent.   It feels like you are “stretching” in both directions and expanding to its limits. Like the spring coiling and uncoiling, the uncoil is reinforced through the opposite energy, making it quicker, sharper, harder.  Now any combat sport does this and great fighters develop sharp quick punches because they naturally learn to align, sink, and create that dynamic tension (among other talents).  The great thing about internal arts is that it is focused on and constantly conditioned.  To focus on that pulling/pushing force and learning to expand it is exciting and can create a powerful strike.  Another training mechanism is narrowing the focus down to the cun jin level (1 inch power).  This focus further emphasizes the dynamic tension down to the miniscule and can create what some consider miraculous results.

GM Fu Jian Qu executing Beng Quan

In many lineages one must focus on “lengthening” the arm by creating a bigger separation between shoulder and back–thus creating a larger equal yet opposite energy.  Great martial artists like Dong Hai Chuan and Zhang San Fen were said to have abnormally long arms (among other characteristics).  Now though its not impossible for someone to be born this way, most likely their arms were of normal length (as seen through most pictures of them).   Yet when they fought they were able to reach out and create that shoulder/back separation–lengthening their arms and giving the appearance of it being abnormal.

The second example involves has similar concepts of equal and opposite energies but involves the whole body.  When a person strikes you it is blocked and through positioning, timing, and connecting its accepted, followed, and diverted.  At the same time you strike them using the built up energy you have gathered from their attack.  Definitely easier written then done. Now what are you really learning to do?  You must learn position, relaxation, root, balance, whole body connection, muscle/tendon micro-movements/compression/expansion etc…  As a boxer I could play “patty-cake” by slapping someone’s punches down all day and then reacting with my own strike making it look almost simultaneous (and in a sense is still duì bá lì).  Blocking and striking (jìn gōng dài de), while difficult in its own right, is still shallow when compared to the full potential of this skill.  By accepting their force and “nullifying” their strike while at the same time using their energy to compress your tendons/muscles then quickly expanding it and striking while they are still off-balance (aka not ready to receive a strike in return) is truly impressive.  Now consider that this must be accomplished over and over again, in seamless rhythm–energies constantly changing and adapting in harmony without interruption until your opponent is defeated.  A very daunting task indeed!!!  It takes hours of training your body with forms,   partner training, compliant sparring, non-compliant sparring (the same style), non-compliant sparring (different styles).  Like any skill one must work towards it becoming natural (thus leading into the ideals of hua jin) learning to respond to different scenarios which can only be accomplished through disciplined, focused repetition and training.

Overall duì bá lì is an overarching concept in IMA (and all other MA for that matter).  It involves several different training mechanisms, time, dedication, and patience.  One must condition the body into working for this strength and when you have truly attained it your skills seem miraculous and infinite.

8 Methods, Liu He Ba Fa

Liu He Ba Fa 8 Methods — 7th Method: Withhold

GM Wu Yi Hui holding the first standing post posture (1 of 8) from the form: working on stillness and centeredness

The 7th Method is Withhold (le勒). “Still, settle, guard humbly (jing ding shou xu 静定守虚).”   Very cryptic yet very powerful to higher level martial artists.  The ability to read a persons intent is a powerful tool but even more powerful would be to hide your intent from the reader, making you a quagmire and someone very difficult to deal with.  You must learn relaxation, quieting the mind, returning to your center, guarding your intentions — ultimately working towards emptiness.  A fighter with bravado can be a great thing to watch, he or she is exciting and engaged.  Yet It is even better to watch someone truly calm through the whole experience.  Someone who cannot be hit or beaten.  Someone in control of themselves and the entire situation.  They do not lash out in anger or excitement, they are swift, fluid, adaptable — untouchable.  Its beautiful and rare to see.

How do you begin to find your center, settle, and withhold?  You learn to relax (song), quiet the mind, listen inward, and control yourself.  You must learn to temper the seven emotions (anger, fear, joy, grief, anxiety, pensiveness, fright) and fight off the six desires (touch, taste, see, smell, hear, passion) If you learn to control /limit them you learn to control yourself. You will be able to restrain and quiet the spirit. You will find peace and stillness.  From there you will settle and allow things to come to you.  Your emptiness will calm your mind, allowing it to accept ideas and energy and giving it the ability to react without hesitation.  You will be humble yet will have a sense about you.

Internally once you learn control, restraint, and stillness you will open up blood flow and energy ways.  Your mind will be at ease.  Your muscles will relax.  Your heart will calm (you only have so many heart beats and the ability to lengthen those out creates health and longevity).  Blood and energy will be able to penetrate organs and pathways with more ease.  You will have no stress; you will fight off disease; and ultimately you glow with a health beyond your years.

8 Methods, Liu He Ba Fa

Liu He Ba Fa 8 Methods — 6th Method: Return

GM Wu Hui Yi with Sun Shan Rong conducting Liu He Ba Fa push hands

The 6th Method is Return – huan (还). One must Go, come, return, repeat –wang lai fan fu (往来返复.  The natural progress of the 4th method, Follow (sui 随) and flowing.  You cannot just let the energy compress or go on forever.  There is a rhythm and process.  You begin through accepting the energy, following it, listening and understanding it.  Once you master that you can begin to neutralize it, lead it, and ultimately project it somewhere else — the other half of the circle!  Some say GM Wu truly began to understand this concept when he learned Lu Hong Ba Shi and that’s why that form is incorporated into most versions of LHBF you see today.  The ability to defend and attack simultaneously is seen through many martial arts but reaches to great heights through internal martial arts and especially Liu He Ba Fa.  Through understanding circles and centeredness you can learn following, neutralizing, leading, and expression of the energy.  This is also one of the reasons its referred to as water boxing.  Like a wave it ebs and flows; moving the energy from one part to the next until it comes crashing back at the opponent.

Now here is the true power of it– its continuous!  Easy to say (especially with an exclamation point 😉 much harder to actually do.  Like a circle there are no breaks, this is where your listening and understanding jing truly comes to play.  Usually an opponent of good caliber will not be dissuaded through one strike the fight will continue.  One must learn to constantly flow with them, countering and attacking each successive attack.  Following their game but in reality playing to your game — esteem the defense not the offense.  Let them strike at you, become one with them and watch how each strike they throw transforms into your counter and strength.  It only stops when they stop and the fight is finished.  Even a simple step backwards can spell their demise if you have built upon your skills.  You become like GM Wu who was notorious for his fighting ability.  It felt like he was everywehre but  one could not actually hit him.  He would follow and counter and strike and be like the wind, enveloping his opponent –being empty but constantly battering.

Sifu how do I develop this skill?  You may be able to develop a high skill through practice of the form alone, rounding out the edges, finding relaxation, developing your intent, qi and shen.  However I believe, like countless martial artist before me –especially GM Wu, one must engage.  Start through two man practice–either applications or push hands.  Find a controlled environment.  Learn through touching and feeling.  Eventually you must learn to feel without touching so you must evolve into sparring.  But you must spar with intent.  Keep it controlled and continue to develop all your skills.  Eventually a person must enter the realm of an unwilling partner.  This is where you can test to see if you can feel intent without teaching; find if your skills have developed.  Its difficult but necessary work.  Will you find health and happiness without this?  Yes.  Can I develop high level without this?  Yes.  Will I develop the highest level?  Sorry I do not believe so.  The greatest were challenged – that is why they became so great.

8 Methods, Liu He Ba Fa

Liu He Ba Fa 8 Methods — 5th Method: Lift

Mount HuangShan. Resting place of Chen Tuan and birthplace of Liu He Ba Fa

The 5th Method is Lifting —ti (提). “The peak hangs on emptiness (ding xuan xu kong 顶悬虚空).”   Like a thread ontop of your head, holding it up and suspending the rest of your body.  Lifting the top of your head creates several mechanisms in your body.  First it creates proper alignment within your energy pathways and structure.  Your head is suspended, lengthening your neck and slightly tucking your chin.  It straightens your spinal column and Ren meridian. It allows your shoulders to hang and hollow out your chest.  Your Saliva and energy will have a better and straighter path towards your stomach and lower dan tian.   You have the ability to tuck your tailbone underneath you, engaging your kuas, and having the ability to move  in a flowing fashion.  The energy will naturally want to sink into your dan tian and your root.  This internal alignment is good for both health and fighting.

Secondly, by suspending your head you focus your energy and shen high as well.  Your upper body becomes light and mobile as air. It feels energized and engaged.    It may feel like buzzing, or raindrops but activity occurs and it is good thing! This engagement can calm your mind and raise your awareness.  Your mind can more easily find peace through emptiness.  Eventually it allows you to connect and become apart of the grander picture.

8 Methods, Liu He Ba Fa

Liu He Ba Fa 8 Methods–4th Method: Follow

GM Liu Xiao Ling with GM Ning Da Chun (Yi Quan Master) conducting push hands training in Wu Xi City.

The 4th Method is Follow (sui随).  It is said one must circle, pass through and scheme (yuan tong ce ying 圆通策应).  Following is an important concept in any internal art.  To understand where one is going is the first step to understanding how you should engage them.  This involves developing one’s Ting jing (Listening) and Dong jing (Understanding).  To follow one must be Song (relaxed) and engaged with the opponent, with your mind focused yet also at ease so you are able to instantly respond.  In the beginning some people , read the classics or listen to some high level master who says relax and just let go over everything.  They then become too relaxed and let their mind go–dead fish in the water.  They may follow but forget their other concepts and do not look for the opponents true intent so they are not truly listening and understanding.  There are steps!  You cannot be at step one and expect to be step 10 without going through 2-9 in some sort of fashion.  But Yes! A truly high level master does clear their mind and enter a wuji state– their level of conscious is on a different level and they are very engaged, following their partner in a way that looks effortless yet powerful.

How does one follow?  Circles!  But why circles Sifu?  Circles are the path of least resistance, they have no edges and create no stopping points.  If you are truly smooth and rounded you can overcome any attack.  One will find they can overcome 1000 lbs with 4 ounces (important concept in Taiji circles).  It will become fluid and “waterlike.”  There will be no hesitation as it all just “flows”.  It creates the opportunity to use your whole body, to align correctly and create massive amounts of power that you can store or release.  All the internal martial arts creates circles and Liu He Ba Fa is no different, just it Shen Fa.  One of its most important Jings is Luóxuán 螺旋 Jing (coil/spiral).  Like a spring it constricts and expands.  This is a different energy then the Cánsī 蚕丝 jing  (silk reeling) made famous through various Tai Chi Lineages.   That energy spirals continuously outwards from a centerpoint, creating tremendous power in its own way  (several jings are used simultaneously so spiraling and silk reeling can occur within the same movement).  Luóxuán Jing coils — accepts,  builds, and redirects.  Like wringing out a towel it can compress in the joints, tendons, and bones.  If you learn to listen and understand the energy of an opponent you can then follow properly and build your energy in your own joints through coiling.  This will help greatly as you learn to expand it in method 6 — return.

8 Methods, Liu He Ba Fa

Liu He Ba Fa 8 Methods — 3rd Method: Shape

The 3rd Method is Shape (xing形); “Change image, copy and imitate–hua xiang mo fang (化象模仿). ” Shape is important.  To copy your sifu’s form and movement leads you down your own correct path.  You have to trust their skill and intent, but once you get the form down, with correct movement, you can start applying the harmonies and ideals, framing it to you and your will.  This involves shape – structure, motion, and intent.  With solid structure and fluid motion you will begin to move effortlessly and quickly.  Your body will get used to the intent you would like to apply and can change to it quickly.  It will mold into your own will and it will become powerful.

Shape includes the ideals of the 12 animals and 3 levels of Liu He Ba Fa.  You must learn to coil like the dragon, be fierce like the tiger, be nimble like the swallow, graceful like the goose.  You must understand what each animal  represents energy-wise and understand what it inspires (we will discuss each animal in later posts).  The levels involve high to low stances, being swift like air, flowing like water, and yet deeply rooted into the earth.

You are not on some animal spirit journey but understanding how they should move and what they bring to the form is important.  You must study the individual movements and what the intent is with the particular animal.  Coil, pouncing, seizing, being swift and nimble– All different characteristics that must be analyzed and understood.  The animals and levels bring necessary ideals which create health, mobility, and mindset.