Tag Archives: Internal Arts

Push Hands (Tui Shou), Xing Yi

The energy of Shù (束)

Golden Chicken Frames Upward from Xing Yi Shi Er Hong Chui by Master Pei Xi Rong, translated by Joseph Crandall @ http:\\smilingtiger.net.

Shù or binding is a useful technique in martial arts. It incorporates connecting, accepting, leading, and restraining. It is considered one of the 5 yang energies in Xing Yi (and Xin Yi Liu He). Its also seen throughout other internal/external martial arts and is used for defensive purposes.

Well great Sifu I appreciate that info but so what? Why would we not want to constantly be leading into emptiness and using their own energy against them melding Yin and Yang together. Well there are just realities in the fighting world. Transformational energy is an extremely difficult task and while one of the most important tricks in your bag it should not be your only trick. Binding can create an opponent to lose their advantage and get them out of “their game.” It allows you to obtain an your own superior position and follow up with a strike they may not be prepared for. This example can be expertly demonstrated through the chicken form Rooster blocks up to Rooster flicks its feathers. Once you block you grab an opponents wrist and sink down. *Note your arm can slightly wraps around your opponents and your whole body must sink in a fast, firm, and stable manner. This will disrupt the opponent’s energy and momentum. This essentially “binds” them from attacking again at that moment. FYI this can then be followed up with Rooster flicks its feathers by issuing Zhǎn (展) energy and exploding up.

The importance of binding in internal martial arts is in the game-changing effect of disrupting your opponent and providing an advantage to yourself. The energy must be quick, strong, and rooted. The whole body must be incorporated. Shù primarily works in the linear up and down pathways (yet there are always circles within the linear). Connecting to the opponent is also important. Whether delivering a strike or intercepting one a fundamental principle in any IMA system is connecting and understanding their energy. Then one can use many different principles to bind an opponent. One can lead an opponent to emptiness or one can pluck and jerk an opponent. Another key is the move must get your opponent close to you. Why close? Because your are contracting your energy. Internally binding shrinks and gathers. You must put the energy into the joints and store it. This will enable an effective binding as you become strong like a tree or steel. Joints must be aligned, the body must be upright, the dan tian sunken, and the root must be firm. If executed correctly it cannot be broken or moved.

Now this energy must be practiced. Santi training or any gathering practice is beneficial to this type of training. Actually conducting standing training that exercises the muscles in this position is most beneficial though. It will be tense at first and most martial artists will only be able to hold positions like this for short periods. You will train low positions with arms close to your body. The energy will be focuses inward and sunken. Overtime the tension will ease as muscles learn to “relax” in this flexed position. Its also key to keep the joints properly aligned and “stacked” on each other. Your three sections will be connected and combined. Without the properly alignment and connection the muscles will not have a frame to relax into and injuries can occur. You will also not maximize the capability of this position to make it unbreakable and truly strong. Now its also key to remember to practice releasing and expansion methods or your body will become too “tight” and will not be able to issue energy properly. This can be saved for a later lesson though 😉

Neijia, Xing Yi

What is Guo 裹?

Master Liu demonstrating Guo Zi Quan from his article, “Xing Yi Quan Ba Zi Gong,” Wu Long Magazine, 1984.3 #30, translated by Joseph Crandall, Smiling Tiger Martial Arts.

The importance of being having whole body power in Internal Martial Arts cannot be understated. To have Fa Li (power) one must have Guo 裹. Most IMA individuals understand Guo in terms of wrapping Jin. It’s a horizontal energy (oversimplified term, all directions are present to ensure centeredness) used for defense and offense. It takes an opponents incoming energy and wraps around it, cutting it off or better yet absorbing it to re-issue.

Great Sifu you defined Guo, so what? Why is it important?

Guo can be fundamental to absorbing and issuing. All fighting arts look to “suck” in their opponent and take advantage of the position. Blocking is easy but true masters in their chosen art can off-balance their opponent, using their opponent’s strikes and aggressiveness to their advantage. It is circular, coiling, redirecting. You must connect with your opponent, overturn and coil around it, lead it into emptiness. It allows you to gain the upper hand or superior position for the attack. It allows you to gather energy in your joints to release quick and sharply like an arrow.

Some masters will talk of Guo at a deeper level. They will associate Guo with connection and togetherness. The wrapping methods of Guo require the practitioner to connect the Sānjié (三節) or three sections through coordinated movement. The wrapping methods need to be coordinated in the legs to root and absorb, the waist to maintain centeredness and twist as the arms to overturn and accept, and the head to be upright to allow for the energy to sink and gather. When all of this is coordinated it will maximize the effectiveness of your Jin. Now as you get older this Jin will be harder to accomplish as joints and aches will get in the way of coordination. This is one reason to remain soft and supple; to ensure things can connect smoothly and work in harmony. If you do not practice consistently and work towards song/suppleness you will become “scattered.” This will show in your wushu and is something you want to delay in old age as long as possible. Discipline, consistency, hard work — the mantra of the wise, the mantra of wushu experts who can obtain and maintain Guo well into their old age!

6 Harmonies, Liu He Ba Fa

Liu He Ba Fa 6 Harmonies: 4th Harmony — Combine Your Qi with Your Shen.

The 4th Harmony is combine Qi and Shen

qi he yu shen 气合于神

Now you have a powerful form!  Yet there is more.  Some martial artists stop here, their Qi abundant and their lives full of energy.  There is another level.  You must reignite that fire in your belly and change the energy into shen.   The spirit must follow the qi to the upper dan tian and build there.  You must allow your spirit to then touch every fiber of your being, every hair on your body.

Through this your awareness will become truly keen, you will experience things on a new level.  A spiritual power is a strong thing if developed.  Have you ever seen a truly intimidating person just stare another down, see a person cower in fear, knowing they are powerless against them — this is a very similar concept, it’s a subconscious event that one cannot explain.  If developed your shen can be a handy tool for health and combat.

 

This level is just the 4th but still few reach this level.  They do not make their Qi abundant and thus cannot mix and convert it into Shen.  They will pontificate on the finer point of hormones and vitality, describing Shen in terms that they can relate to.  Is it this, yes– but it is so much more.  Your spirit can expand beyond the physical limits of these things, expand upon your own body.  It is an awareness and vitality only few know.  How can you tell if a person has started down this path?  They will become calm and relaxed, their outward appearance will radiate their inward strength and vitality.  A person will start to develop yansheng (spirit from the eyes 眼神).  It’s a difficult level to perceive let alone master, but the journey towards this harmony will make one healthy, strong, and vibrant.