Tag Archives: Six Harmonies and Eight Methods

8 Methods, Liu He Ba Fa

Liu He Ba Fa 8 Methods — 8th Method: Conceal

GM Wu Yi Hui performing猛 蛟 入 海 Měng Jiāo Rù Hǎi – Fierce dragon enters the sea from the Liùhébāfǎ Xìliè Qīnglóng Jiàn (六合八法系列青龙剑 )

The last method is Conceal (fu 伏).  One must hide appearance, conceal moment (yin xian cang ji 隐现藏机).

It is one thing to guard your intention but truly another to conceal it.  Once you have mastered the movements, make them flow effortlessly/subconsciously, and connected the harmonies you must conceal.  You must be able to manifest at will, without hesitation, and without divulging it.  This will make your wushu special and Gong Fu strong!  You instantly react and ultimately control.  The opponent only sees a calm and relaxed person infront of them.  They cannot tell what you will do and how you will react.  This will make them nervous and will give you signals to their actions.  Energetically and physically they will telegraph their intentions and desires.  They will be frantically paddling in your calm waters, disturbing you and giving you clues to the commotion.

How a person chooses to practice this method is up to the teacher.  Many lineages tighten up their style, creating a small frame with lots of intricate yet precise movements.  Others send intention back inwards allowing only their shen to permeate through their eyes.  Others believe it a nature progression of the training where conceal occurs as you work your way through the six harmonies and naturalize with emptiness (void).   Whatever a person’s method this concept allows you to reach a level where your Gong Fu seems miraculous.  Like GM Wu Yi Hui you will be able to surround  your opponent, avoiding and countering at will; all while they are unable to grasp you or your intentions.

8 Methods, Liu He Ba Fa

Liu He Ba Fa 8 Methods — 7th Method: Withhold

GM Wu Yi Hui holding the first standing post posture (1 of 8) from the form: working on stillness and centeredness

The 7th Method is Withhold (le勒). “Still, settle, guard humbly (jing ding shou xu 静定守虚).”   Very cryptic yet very powerful to higher level martial artists.  The ability to read a persons intent is a powerful tool but even more powerful would be to hide your intent from the reader, making you a quagmire and someone very difficult to deal with.  You must learn relaxation, quieting the mind, returning to your center, guarding your intentions — ultimately working towards emptiness.  A fighter with bravado can be a great thing to watch, he or she is exciting and engaged.  Yet It is even better to watch someone truly calm through the whole experience.  Someone who cannot be hit or beaten.  Someone in control of themselves and the entire situation.  They do not lash out in anger or excitement, they are swift, fluid, adaptable — untouchable.  Its beautiful and rare to see.

How do you begin to find your center, settle, and withhold?  You learn to relax (song), quiet the mind, listen inward, and control yourself.  You must learn to temper the seven emotions (anger, fear, joy, grief, anxiety, pensiveness, fright) and fight off the six desires (touch, taste, see, smell, hear, passion) If you learn to control /limit them you learn to control yourself. You will be able to restrain and quiet the spirit. You will find peace and stillness.  From there you will settle and allow things to come to you.  Your emptiness will calm your mind, allowing it to accept ideas and energy and giving it the ability to react without hesitation.  You will be humble yet will have a sense about you.

Internally once you learn control, restraint, and stillness you will open up blood flow and energy ways.  Your mind will be at ease.  Your muscles will relax.  Your heart will calm (you only have so many heart beats and the ability to lengthen those out creates health and longevity).  Blood and energy will be able to penetrate organs and pathways with more ease.  You will have no stress; you will fight off disease; and ultimately you glow with a health beyond your years.

8 Methods, Liu He Ba Fa

Liu He Ba Fa 8 Methods — 6th Method: Return

GM Wu Hui Yi with Sun Shan Rong conducting Liu He Ba Fa push hands

The 6th Method is Return – huan (还). One must Go, come, return, repeat –wang lai fan fu (往来返复.  The natural progress of the 4th method, Follow (sui 随) and flowing.  You cannot just let the energy compress or go on forever.  There is a rhythm and process.  You begin through accepting the energy, following it, listening and understanding it.  Once you master that you can begin to neutralize it, lead it, and ultimately project it somewhere else — the other half of the circle!  Some say GM Wu truly began to understand this concept when he learned Lu Hong Ba Shi and that’s why that form is incorporated into most versions of LHBF you see today.  The ability to defend and attack simultaneously is seen through many martial arts but reaches to great heights through internal martial arts and especially Liu He Ba Fa.  Through understanding circles and centeredness you can learn following, neutralizing, leading, and expression of the energy.  This is also one of the reasons its referred to as water boxing.  Like a wave it ebs and flows; moving the energy from one part to the next until it comes crashing back at the opponent.

Now here is the true power of it– its continuous!  Easy to say (especially with an exclamation point 😉 much harder to actually do.  Like a circle there are no breaks, this is where your listening and understanding jing truly comes to play.  Usually an opponent of good caliber will not be dissuaded through one strike the fight will continue.  One must learn to constantly flow with them, countering and attacking each successive attack.  Following their game but in reality playing to your game — esteem the defense not the offense.  Let them strike at you, become one with them and watch how each strike they throw transforms into your counter and strength.  It only stops when they stop and the fight is finished.  Even a simple step backwards can spell their demise if you have built upon your skills.  You become like GM Wu who was notorious for his fighting ability.  It felt like he was everywehre but  one could not actually hit him.  He would follow and counter and strike and be like the wind, enveloping his opponent –being empty but constantly battering.

Sifu how do I develop this skill?  You may be able to develop a high skill through practice of the form alone, rounding out the edges, finding relaxation, developing your intent, qi and shen.  However I believe, like countless martial artist before me –especially GM Wu, one must engage.  Start through two man practice–either applications or push hands.  Find a controlled environment.  Learn through touching and feeling.  Eventually you must learn to feel without touching so you must evolve into sparring.  But you must spar with intent.  Keep it controlled and continue to develop all your skills.  Eventually a person must enter the realm of an unwilling partner.  This is where you can test to see if you can feel intent without teaching; find if your skills have developed.  Its difficult but necessary work.  Will you find health and happiness without this?  Yes.  Can I develop high level without this?  Yes.  Will I develop the highest level?  Sorry I do not believe so.  The greatest were challenged – that is why they became so great.

8 Methods, Liu He Ba Fa

Liu He Ba Fa 8 Methods — 5th Method: Lift

Mount HuangShan. Resting place of Chen Tuan and birthplace of Liu He Ba Fa

The 5th Method is Lifting —ti (提). “The peak hangs on emptiness (ding xuan xu kong 顶悬虚空).”   Like a thread ontop of your head, holding it up and suspending the rest of your body.  Lifting the top of your head creates several mechanisms in your body.  First it creates proper alignment within your energy pathways and structure.  Your head is suspended, lengthening your neck and slightly tucking your chin.  It straightens your spinal column and Ren meridian. It allows your shoulders to hang and hollow out your chest.  Your Saliva and energy will have a better and straighter path towards your stomach and lower dan tian.   You have the ability to tuck your tailbone underneath you, engaging your kuas, and having the ability to move  in a flowing fashion.  The energy will naturally want to sink into your dan tian and your root.  This internal alignment is good for both health and fighting.

Secondly, by suspending your head you focus your energy and shen high as well.  Your upper body becomes light and mobile as air. It feels energized and engaged.    It may feel like buzzing, or raindrops but activity occurs and it is good thing! This engagement can calm your mind and raise your awareness.  Your mind can more easily find peace through emptiness.  Eventually it allows you to connect and become apart of the grander picture.

8 Methods, Liu He Ba Fa

Liu He Ba Fa 8 Methods–4th Method: Follow

GM Liu Xiao Ling with GM Ning Da Chun (Yi Quan Master) conducting push hands training in Wu Xi City.

The 4th Method is Follow (sui随).  It is said one must circle, pass through and scheme (yuan tong ce ying 圆通策应).  Following is an important concept in any internal art.  To understand where one is going is the first step to understanding how you should engage them.  This involves developing one’s Ting jing (Listening) and Dong jing (Understanding).  To follow one must be Song (relaxed) and engaged with the opponent, with your mind focused yet also at ease so you are able to instantly respond.  In the beginning some people , read the classics or listen to some high level master who says relax and just let go over everything.  They then become too relaxed and let their mind go–dead fish in the water.  They may follow but forget their other concepts and do not look for the opponents true intent so they are not truly listening and understanding.  There are steps!  You cannot be at step one and expect to be step 10 without going through 2-9 in some sort of fashion.  But Yes! A truly high level master does clear their mind and enter a wuji state– their level of conscious is on a different level and they are very engaged, following their partner in a way that looks effortless yet powerful.

How does one follow?  Circles!  But why circles Sifu?  Circles are the path of least resistance, they have no edges and create no stopping points.  If you are truly smooth and rounded you can overcome any attack.  One will find they can overcome 1000 lbs with 4 ounces (important concept in Taiji circles).  It will become fluid and “waterlike.”  There will be no hesitation as it all just “flows”.  It creates the opportunity to use your whole body, to align correctly and create massive amounts of power that you can store or release.  All the internal martial arts creates circles and Liu He Ba Fa is no different, just it Shen Fa.  One of its most important Jings is Luóxuán 螺旋 Jing (coil/spiral).  Like a spring it constricts and expands.  This is a different energy then the Cánsī 蚕丝 jing  (silk reeling) made famous through various Tai Chi Lineages.   That energy spirals continuously outwards from a centerpoint, creating tremendous power in its own way  (several jings are used simultaneously so spiraling and silk reeling can occur within the same movement).  Luóxuán Jing coils — accepts,  builds, and redirects.  Like wringing out a towel it can compress in the joints, tendons, and bones.  If you learn to listen and understand the energy of an opponent you can then follow properly and build your energy in your own joints through coiling.  This will help greatly as you learn to expand it in method 6 — return.

8 Methods, Liu He Ba Fa

Liu He Ba 8 Methods– 2nd Method: Bone

Da Mo aka Bodhidharma, transmitter of Buddhism to China and creator of Yi Jin Jing and Xi Sui Jing

The second method is Bone: gu骨.  Its states Bone power collects internally– gu jing nei lian (骨劲内敛).   On the basic level this method is associated with proper movement and alignment of structure.  Head up, chin in, back straight, your joints aligned and working in harmony.  If one part moves everything moves; if one part is still it is all still.  Many internal martial arts talk about 3 tips, 3 external harmonies, 9 joints, 3 hearts and within some Liu He Ba Fa lineages masters talk of the 9 joints and 5 hearts.  The intent of all these ideas are the same.  To move in a coordinated manner to create maximum force in the most effective manner.  Whether moving fast, slow, soft, or hard all effort must be made with all parts of the body in the correction direction.  If you hand falls but your  foot does not its incomplete.  If your foot falls but your hand does not the same inefficiency happens.  Everything must be coordinated.  Some internal arts fall with a flat foot during certain movements and others use a heel to toe effect.  In the end if your dan tians (upper, middle, lower) are in line and your hands and feet, knees and elbows, shoulders and kua move in unison you will find the harmony in your body. These harmonies can also be broken down farther into sections like shoulder, elbow, wrist and farther still into wrist, palm, and finger.  The more micro you can make it and feel it connected the more connection you will potentially make.  Some Liu He Ba Fa move their body in total unison while others follow more of a water principle and have a wave like effect among their joints.  I will not say one way is more correct than the other as long as in the end they work towards such jins as Hua Jin, Lou Shan Jin, and other energy expressions.

Yet there are deeper levels as well. Some sources talk of bone marrow as a source of Qi production due to the fact your first treasure (Jing) is used in TCM to make bone marrow. It is said when you are born your marrow is full, as one ages Yuan (pre-natal) Qi and Yuan Jing are gradually consumed and depleted.  So one must return to their origin and nourish the marrow.   Even Qigong sets are conducted with this process of renewing and rejuvenating bone marrow — i.e.  Marrow washing (usually associated with muscle/tendon changing qigong).  If your Qi is abundant it will naturally fill your bones and will be identified with a person having strong teeth.  Back in the turn of the century, masters with their Si Shou filled could tear metal with their teeth; something not readily seen now-a-days.  It helps to conduct Qi Gong or Liu He Ba Fa  with an inward intent at some point in your training, towards your bones and dan tian.  Working on condensing and expanding your qi with your breath.  The movement of Qi into the bones will strengthen them, rejuvenate them, and help rid your body of potential disease and illness.

6 Harmonies, Liu He Ba Fa

Liu He Ba Fa 6 Harmonies: 5th Harmony — Combine Your Shen and Your Movement (Action)

The 5th Harmony is Combine  Shen and Movement (Action)

shen he yu dong神合于动

Have you ever had the hairs on the back of your neck stand-up?  Did you feel uncomfortable or anxious.  It’s a reflex within the body that few can explain.  One explanation Daoist like to use is its an experience with Shen or spirit.  You perceive something or feel something is bad or good yet there are no verbal or visual stimuli to truly backup this feeling.  Now if one can develop this action and harmonize with it, it can truly expand your mindfulness of the world.

You have re-ignited that fire and have raised your spirit to your upper dan tian.  The Shen follows the qi and spreads throughout your body, raising awareness and vitality.  You become…different.

What does one do with this? They must begin to focus back outward.  This whole time your have closed your senses inward and felt what was going on inside your body.  Your spirit radiates through you and shows through your eyes.  This is where internal martial arts becomes something even greater.  You send your spirit to every fiber of your body.  You combine it with every movement, every thought; coordinating action with detail with awareness.  The movements will become your own and become instantaneous.    You will begin to perceive things differently.  Your form will be look powerful as your movements begin to radiate feelings and energy yet be soft and have the ability to adapt at will.  It becomes instant and instinctive.

Li Nengran, the famous Xing Yi master, was called “Magic Fist Li” was able to develop his Shen to this level.  He defeated all challengers and his opponents often said they could not see when his hands struck outward.  Li had developed his Gong Fu to a level where he perceived on a different level.  He could instantaneously feel his opponents intention and move his hands to counter or strike, overcoming the will of his opponents every time.  It was said he could close his eyes and understand exactly where people and things were at.  He was truly gifted and his gong fu was special amongst even the greatest.  Why?  Because he systematically built to this level, not skipping or rushing anything.  He had constant dedication and focused effort and a true understanding of the Dao and his body.   He dedicated every effort, every thought, and every move to get to this level–something few can truly fathom and achieve in this day and age.

6 Harmonies, Liu He Ba Fa

Liu He Ba Fa 6 Harmonies: 3rd Harmony — Combine Intention with Qi

GM Wu Yi Hui – 20. Water Flows down the High Mountain

3rd Harmony: Combine your Intent and your Qi yi he yu qi意合于气

 

You have worked hard and you understand the movements internally and externally.  You have started to develop Nèiwài wéi yītǐ (内外为一体)!  Now the hard work comes in.  That intention must drive your internal energy throughout the form.  You must combine the inside with the outside and make it one.  Without your Qi there will be no true strength.  Now you may have some physical strength applied but that is not the intent with internal martial arts.  Physical strength can be strong but is considered a dead or stiff energy.  You need to develop that lively power; a person needs to relax their physical body, align it properly, and use internal principles to create Li (力).  Physical strength can decline quickly in older age (modern medicine and greater understanding of physical training has helped extend this to some extent though) but internal strength can stay with a person to the end of your days if properly maintained and practiced.  To be 90 years old but move like your 30 and hit like your 20 is possible.  It takes true dedication and understanding but yet still attainable.  It starts with this harmony.

Now a person must truly start to practice and dedicate themselves.  You have to make your energy abundant through diligent practice.  This can be accomplished in a myriad of ways, either through the form, zhan zhuang, silent meditation, other internal arts etc.  However the more you practice the one form (Liu He Ba Fa in this instance) and engrain the energy with it the better it will be.  Qi must be driven throughout your body; your 4 extremities filled evenly.  Your lower dan tian will become full and hard like a rock.  Once you have put the energy into thebank (so to speak) you can then withdrawal it, focus it throughout the form, and demonstrate true internal strength.  Once your internal energy combines with your external movements you will have true Fa li and your form will look relaxed yet very powerful.

6 Harmonies, Liu He Ba Fa

Liu He Ba Fa 6 Harmonies: 2nd Harmony– Heart (mind) Combines With Your Intention

2nd Harmony: Combine your Heart (Mind) with your Intention – xin he yu yi心合于意

Focus is important, but more importantly what are you focusing on?  Are you focusing on your day at work, your family, or the task at hand!   It takes 200 days of consistent practice to learn the external movements properly (according to some experts).  What does that movement really mean though?   What is happening both inside and out?   This understanding takes MUCH longer.  The intention of each movement  needs to be thoroughly understood to apply the correct energies and applications.  Without the focus your mind can be pulled away, causing hesitation, inconsistences, and ultimately bad habits.  You need to be fully in the moment of what you are doing and where you are at.  Without it you are mindlessly doing an external form (which can still get a person physical benefits but does not reach the full potential of the art).

 

Also this is where 10,000 repetitions can truly compound.  With intention– with focus, it will engrain in a person’s inner conscious;  it has the potential to become second nature.  To fully open to the intention of each movement; to open to the energy and animalistic nature (yes there are 12 animals within this art) of it has profound results.   You become one with the form and the form becomes one with you.  Liu He Ba Fa has many variants among the main form but if you look deeply into that practitioners inner intent you can see if they have the essence of it.  Are certain moves fierce like a tiger, does it coil like a dragon, and deeper still do they demonstrate the 8 methods such as follow and return.  If their intention and focus is engrained in them, they will display these principles thus demonstrate Liu He Ba Fa.

6 Harmonies, Liu He Ba Fa

Liu He Ba Fa 6 Harmonies: 1st Harmony – Body Combines with your Heart (mind)

Chen Tuan, Creator of Liu He Ba Fa

1st Harmony:  Combine your body with your heart (mind) –ti he yu xin体合于心

Your heart is wild–it can be courageous or scared; it can be scattered or focused.  It can be many things.  The heart (your wild thoughts) must be trained and honed.  This is accomplished through training and dedication.  With Liu He Ba Fa its accomplished by conducting the form and focusing this movement with your heart (mind).   Even though delayed, giving your mind action gives it purpose and training.  You train every muscle with the form and engrain it into you.  Every muscle, tendon, ligament works in alignment and in total unison in action.  The force of such a movement can be outstanding (Force =Mass X Acceleration).  By getting every fiber of your being behind your action it creates a tremendous amount of power.  But to do so requires an immense amount of training.  The old saying by Bruce Lee is I don’t fear a man you does 10,000 different kicks but I fear a man who has done one kick 10,000 times.  Michael Gladwell, in his book, Outliers, is quoted that studies show a similar number in a fact of hours, 10,000, is what is needed to perfect a technique.  Without concentrated dedication to your practice and constant effort, only average gains may be made.

Once engrained it will become subconscious and work towards the instantaneous.  These efforts can be hindered though if you do not train your mind to relax and be calm.  To accept things and understand them.  This, in turn, will relax your body and give its ability to react more quickly, more succinctly.  Fa Song is a great ability.   It is not lazy relaxation, where you become “noodly” and disconnected.  It’s a relaxation that creates harmony throughout your body that allows for your body to feel and adapt.  This starts with your ability for your mind to relax, to let go of the troubles of the day and have the ability to focus on the task at hand.   To feel inside and outside your body the event and work towards totality with it.  With harmony one: through focused movement , proper relaxed alignment, and continued effort, both on the inside and out,  great gains can be made to make the form apart of you.